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Overview

Created through the continuous feedback of a "student-tested, faculty-approved" process, MUSIC, Second Edition delivers a visually appealing and succinct print component with tear-out review and prep cards for students and instructors. MUSIC also includes a consistent online offering with CourseMate, featuring an eBook and a set of interactive digital tools--all at a value-based price and proven to increase retention and outcomes. MUSIC introduces a broad range of styles and genres from the Middle Ages through the twenty-first century, highlighting the connections and contrasts between them. The result is a well-rounded view of musical life in each era. MUSIC is designed to meet the needs of instructors who want to give their students an inexpensive and brief text with an appealing magazine style and short chapters that can easily be read in a sitting, as well as a strong technology component. The text is accompanied by an audio CD, music downloads, an interactive MindTap™ eBook, and a CourseMate website with streaming music, interactive listening guides, interactive demos, videos, quizzing, flashcards, and more. (Music downloads must be accessed with a Sony Music Download Cards, available separately.)

Michael Campbell, Arizona State University

Michael Campbell is a writer and pianist. A California native, he is a Phi Beta Kappa graduate of Amherst College and holds a doctorate from Peabody Conservatory, where he studied piano with Leon Fleisher. As a commercial musician, he has assisted such artists as Angela Lansbury, Gladys Knight and the Pips, Bob Hope, Redd Foxx, Ethel Merman and Don McLean. As a concert pianist, he has performed a broad range of repertoire, including his own transcriptions of recordings by Art Tatum, Jelly Roll Morton and other legendary jazz pianists.
  • This edition offers a streamlined new organization that simplifies the table of contents, as well as a new final chapter on world music.
  • "People's Music" sections, which appeared in the last edition, are now available separately online and for custom adoptions.
  • "Listen Up!" boxes in the text, which previously included checklists of features that were detailed online, now present complete listening guides.
  • A single audio CD contains selections formerly offered on 5 CDs. All musical selections (including the nine new selections in this edition) are also available for download.
  • A new MindTap™ eBook, designed from the ground up to provide an even more intuitive and easier-to-use online reading experience than the previous edition's eBook, accompanies the text.
  • Student Review Cards feature a new emphasis on critical thinking.
  • Given the growth in eReader usage among students, this edition features a convenient new numbering system for major headings that instructors can use instead of page numbers when creating assignments.
  • Chapter in Review Cards at the back of the Student Editions provide students a portable study tool containing all of the pertinent information for class preparation.
  • Instructor Prep Cards at the back of the Instructor's Edition make preparation simple with a detachable card for each chapter that offers a quick map of unit content, a list of corresponding audio resources, suggested assignments, and discussion questions to help you organize chapter content efficiently.
  • CourseMate, which accompanies new textbooks, offers an interactive MindTap eBook in addition to a full suite of unique learning tools that appeal to different learning styles.
  • MUSIC is accompanied by all of the content and resources you expect, with a supplements package that is second to none, including a CD containing over 80 musical selections; downloads (accessed with a Sony music Downloads card, available separately); streaming versions of all selections also accessible via the interactive MindTap eBook; Instructor Companion Site for instructors, including PowerPoint® slides, the complete instructor's manual and test bank, pdfs of student review cards, and Cognero® online testing; and Cengage Learning's CourseMate.
  • An innovative combination of content delivered both in print and online provides a core text, an interactive eBook, and a wealth of comprehensive multimedia teaching and learning assets directly influenced by feedback from student focus groups and surveys, and from interviews with over 200 faculty and students.
  • Shorter comprehensive chapters in a modern design present content in an engaging and accessible format without minimizing coverage. Learning Outcomes at the beginning of each chapter are keyed to A-heads that are used to organize the end-of-book Chapter in Review cards. Key terms are boldfaced and defined in the margins. Other features include Music Concept Check mini-reviews; Language of Music technical details; Fast Facts composer biographies with images and bullets indicating dates, location, and notable achievements; and end-of-era Keys to . . . the style of different eras.
1. Elements of Music: Dynamics, Instrumentation, and Rhythm.
2. Elements of Music: Melody, Harmony, Texture, Form, and Style.
3. Medieval Music.
KEYS TO MEDIEVAL MUSIC.
4. Music in the Renaissance.
KEYS TO RENAISSANCE MUSIC.
5. Opera in the Baroque Era.
6. Late Baroque Instrumental Music.
7. Late Baroque Sacred Vocal Music: Chorale, Cantata, and Oratorio.
KEYS TO BAROQUE STYLE.
8. The Classical Style.
9. Classical Orchestral Music.
10. Mozart and Opera.
11. Beethoven.
KEYS TO CLASSICAL STYLE.
12. The Romantic Era.
13. Romantic Solo and Choral Vocal Music.
14. Early Romantic Piano Music.
15. Romantic Opera.
16. The Romantic Symphony.
17. Beyond the Symphony: Romantic Orchestral Music.
KEYS TO ROMANTIC STYLE.
18. Musical Life in the Twentieth Century and Beyond.
19. "Isms": European Concert Music in the Early Twentieth Century.
20. Modern Music.
21. National Identity in Early Twentieth-Century Concert Music.
22. Popular Music in Early Twentieth-Century America.
23. The Avant-Garde.
24. The Rock Revolution.
25. Minimalism and Eclectism.
KEYS TO TWENTIETH-CENTURY MUSIC.
26. World Music.
Index.
1. Elements of Music: Dynamics, Instrumentation, and Rhythm.
2. Elements of Music: Melody, Harmony, Texture, Form, and Style.
3. Medieval Music.
KEYS TO MEDIEVAL MUSIC.
4. Music in the Renaissance.
KEYS TO RENAISSANCE MUSIC.
5. Opera in the Baroque Era.
6. Late Baroque Instrumental Music.
7. Late Baroque Sacred Vocal Music: Chorale, Cantata, and Oratorio.
KEYS TO BAROQUE STYLE.
8. The Classical Style.
9. Classical Orchestral Music.
10. Mozart and Opera.
11. Beethoven.
KEYS TO CLASSICAL STYLE.
12. The Romantic Era.
13. Romantic Solo and Choral Vocal Music.
14. Early Romantic Piano Music.
15. Romantic Opera.
16. The Romantic Symphony.
17. Beyond the Symphony: Romantic Orchestral Music.
KEYS TO ROMANTIC STYLE.
18. Musical Life in the Twentieth Century and Beyond.
19. "Isms": European Concert Music in the Early Twentieth Century.
20. Modern Music.
21. National Identity in Early Twentieth-Century Concert Music.
22. Popular Music in Early Twentieth-Century America.
23. The Avant-Garde.
24. The Rock Revolution.
25. Minimalism and Eclectism.
KEYS TO TWENTIETH-CENTURY MUSIC.
26. World Music.
Index.
Hildegard of Bingen, "Nunc aperuit nobis."
Machaut, "Puis qu''en oubli."
Anonymous, "La uitime estampie real."
Anonymous, "L''homme armé" tune.
Josquin, Kyrie, from Missa l''homme armé sexti toni.
Wilbye, "Adew, Sweet Amarillis."
Morley, "O Mistresse Mine" (vocal).
Morley, "O Mistresse Mine" (instrumental).
Monteverdi, "Possente spirto," Orfeo.
Purcell, "Thy Hand, Belinda"/"When I Am Laid in Earth," Dido and Aeneas.
Handel, "E pur così"/"Piangeró," Giulio Cesare in Egitto.
Bach, "Little" Fugue in G minor.
Corelli, Sonata in C major, 1st & 2nd movements.
Bach, Gigue, from Orchestral Suite No. 3.
Vivaldi, Violin Concerto in E major ("Spring"), 1st movement.
Bach, Brandenburg Concerto No. 3, 1st movement.
Luther/Walter/Bach, "Ein'' feste Burg ist unser Gott"/Chorale, from Ein'' feste Burg ist unser Gott.
Bach, "Und wenn die Welt voll Teufel wär," from Cantata No. 80, Ein'' feste Burg ist unser Gott.
Handel, Hallelujah Chorus, from Messiah.
Mozart, Sonata in F major, 1st movement.
Haydn, String Quartet in C major ("Bird"), 1st movement.
Haydn, Symphony No. 94 in G major, complete.
Mozart, Concerto in C minor, 1st movement.
Mozart, "Là ci darem la mano," Don Giovanni.
Mozart, "A cenar teco," Don Giovanni.
Beethoven, Sonata No. C minor ("Pathétique"), 1st movement.
Beethoven, Symphony No. 5 in C minor, complete.
Schubert, Erlkönig.
Schubert, Gretchen am Spinnrade.
R. Schumann, "Im wunderschönen Monat Mai," from Dichterliebe.
R. Schumann, "Aus meinen Tränen spriessen," from Dichterliebe.
Brahms, "Wie lieblich sind deine Wohnungen," from Ein deutsches Requiem.
C. Schumann, Romance in G minor.
R. Schumann, "Aufschwung," from Fantasiestücke.
Chopin, Etude in C minor ("Revolutionary").
Chopin, Prelude No. 3 in G major.
Chopin, Prelude No. 4 in E minor.
Rossini, "Largo al factotum," The Barber of Seville.
Verdi, "Dite alla giovine"/"Morrò! Morrò!" La traviata.
Bizet, "L''amour est un oiseau rebelle," Carmen.
Wagner, Act 1 conclusion, Die Walküre.
Berlioz, "Songe d''une nuit de sabbat," Symphonie fantastique, 5th movement.
Brahms, Symphony No. 2 in D major, 3rd movement.
Tchaikovsky, Violin Concerto in D major, 3rd movement.
Tchaikovsky, Waltz, from The Sleeping Beauty.
Dvořák, Slavonic Dance in G minor.
Schoenberg, "Nacht," Pierrot lunaire.
Debussy, "Voiles," from Preludes.
Debussy, "Minstrels," from Preludes.
Stravinsky, "Introduction," "The Augurs of Spring," and "Mock Abduction," from The Rite of Spring.
Webern, Concerto for Nine Instruments, 2nd movement.
Stravinsky, Symphony of Psalms, 1st movement.
Ives, "Putnam''s Camp, Redding, Connecticut," from Three Places in New England.
Copland, Appalachian Spring, 1st & 2nd sections.
Bartók, Music for Strings, Percussion, and Celesta, 2nd movement.
Prokofiev, "Peregrinus expectavi," from Alexander Nevsky.
Joplin, "The Entertainer."
Armstrong, "Hotter Than That."
Smith, "Empty Bed Blues."
Kern/Hammerstein, "Can''t Help Lovin'' Dat Man," Show BoatGershwin, Rhapsody in Blue
Gershwin, Rhapsody in Blue.
Cage, Sonata V from Sonatas and Interludes.
Varèse, Poème électronique (excerpt).
Penderecki, Tren (Threnody for the Victims of Hiroshima), excerpt.
Berry, "Sweet Little 16"
WIlson, "Surfin'' U.S.A."
Dylan, "Subterranean Homesick Blues."
Reich, Music for 18 Musicians, Section IIIA.
Pärt, Kyrie, from Berlin Mass.
Tower, Fanfare for the Uncommon Woman.
Zwilich, Concerto Grosso 1985, 1st movement.
Williams, "Main Title/Rebel Blockade Runner," Star Wars Episode IV.
Traditional, "Boston Laddie."
Angelique Kidjo with Youssou N''dour, "Ae-Ae."
Tan, "Farewell," Crouching Tiger, Hidden Dragon.

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  • ISBN-10: 1285454057
  • ISBN-13: 9781285454054
  • Bookstore Wholesale Price $52.50
  • RETAIL $70.95

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